Devouring This Year's Christmas Films: The Hits, The Misses, and The Guilty Pleasures.

‘Tis the season to slob out on the sofa and demolish a box of mince pies in front of a great film, a poor film, or one that’s terrible yet terrific.

Once again, a crop of fresh holiday movies strives to join part of our holiday traditions—potentially even finding a spot alongside beloved favorites like Home Alone, Elf, Love Actually, and Die Hard (don’t start).

Therefore, in a helpful attempt to distinguish the gems from the coal, and to embrace the holiday mood, I watched as many recent holiday releases as possible in a single day.

7.17am - A Very Jonas Christmas Movie

Starting, hopefully, on a high. This is the only 2025 entry on a well-known aggregator's list of the greatest 100 festive features of all time.

The popular band end up stuck in the UK after finishing their global concert series and must make it back for Christmas. Their efforts are hindered by an malevolent Father Christmas, who sings to announce they won’t get home until they “find their familial spark.”

The back-and-forth between the arguing trio is enjoyable even for the uninitiated, while fans will certainly catch lots of in-jokes as they attempt to get back using all transportation available.

It’s a travelogue of mishaps.

It’s not a timeless masterpiece, but is excellent for devotees and a solid start to the day.

Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their loved ones who are obliged to sit through it.

Late Morning: Tinsel Town

Hollywood star Kiefer Sutherland appears as a celebrity cast a traditional British stage show.

“A what's a panto??” asks Sutherland’s “difficult” and ageing action hero Brad Mack, who has fallen on hard times and whose agent has misled him into thinking he’s performing in renowned British drama.

His pantomime co-stars let him know he’s playing Buttons. “Absolutely not,” he retorts. It's easy to predict their response. Unless you’re unfamiliar with traditional British theatre traditions.

There are some great jokes, some heartwarming side stories, and the supporting actors is excellent, too.

It’s the sort of feature that would be a bit cheesy at a different time, but is a lot of fun at Christmas.

Festive score: 🎄🎄🎄🎄

10.19am - Christmas Karma

An actor appears at the outset of this film, too, insulting someone for the second film in a row. Is this a fresh holiday staple?

This time, he’s a crooning chauffeur who encounters Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.

Mr Sood is played by an actor from Kunal Nayyar and Christmas Karma is directed by Bend It Like Beckham’s Gurinder Chadha. The familiar story develops as the tight-fisted Mr Sood is confronted by the apparitions of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.

This South Asian reinterpretation is at least different from all the others, but unfortunately he’s not very compelling and Nayyar’s acting is lifeless—a major flaw when he’s so central to everything.

Holiday verdict: 🎄🎄

Lunchtime: Stuffed

Before lunch for a network's original festive film—which stars Guz Khan as a endearingly grumpy man who “doesn’t really do Christmas.”

But after he is awarded an sizable holiday payout at work, his wife (portrayed by Morgana Robinson) convinces him blowing the money on a holiday to Lapland.

There’s just one issue—he finds out there was an error with his bonus, which should have been £800, and he has to devise a plan for how to pay back the difference.

Fun while it lasts but not lasting.

Christmas tree rating: 🎄🎄

A Classy Netflix Romance

This is one of those Christmas films where the tree, fairy lights and snow are in the background—Christmas is the scene of the film rather than its raison d’etre—but it feels comfortable and seasonal all the same.

High-powered businesswoman Sydney (played by Minka Kelly) is sent to a country estate to negotiate a purchase for a sparkling wine company. On the way, she meets a fellow in a book store who offers to show her the holidays in the City of Light.

A critic recently stated this is the top new Christmas film of the last several seasons. That’s a bit of a overstatement, but it is a holiday love story with a dash of elegance and gives the obligatory cozy feelings.

The scene with a extended debate about Die Hard is very good too.

Festive score: 🎄🎄🎄

3.29pm - Finding Father Christmas

Young Chris, played by Lenny Rush, continues to believe in Father Christmas, despite the efforts of his dad (played by James Buckley) to tell him otherwise.

The secret is to be discovered, and Chris embarks on a quest to find it with the guidance of a panel of well-known figures.

It’s low-key but charming, and perfect viewing while waiting for Santa to visit.

Festive score: 🎄🎄🎄

Late Afternoon: Oh. What. Fun.

Michelle Pfeiffer is the head of a quarrelling American family who come back together for the holidays—including other Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.

Pfeiffer opens by name-dropping holiday staples like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the unsung heroes of the holidays—moms.”

So that’s the concept, but in execution it’s really a combination of those forerunner films, at least until Pfeiffer’s character at last comes into her own.

Christmas tree rating: 🎄🎄

Evening: A Scottish Christmas Secret

The day’s waned in quality, but fortunately here’s a new addition in the crowded field of formulaic, schmaltzy, badly acted—and highly entertaining—festive fodder.

It’s a tale as well-worn: An American woman journeys to a distant snowy land and ends up stumbling across romance.

In this case, Caprice Bourret plays a publisher

Mary Lam
Mary Lam

Elara is a cultural commentator and freelance writer with a passion for exploring how technology and society intersect in the modern world.

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